Marvel Cosmic Awareness

I might be saying something completely controversial here, but I don't think I've been so invested in the Marvel cosmic universe as I am after reading Cyclops #1. By that I mean since it’s very recent revival; obviously I loved Annihilation and the Thanos Imperative, but Nova, Infinity, even Guardians of the Galaxy haven’t drawn me in as much as this one issue. I've loved Silver Surfer, but until it gets dragged into an event of some sort I don’t really class it as Marvel Cosmic in the shared universe sense; it’s pretty much off doing its own thing and just happens to be in space.

Cyclops #1 was a damn good issue. I’m sure I wasn't alone in being sceptical about its premise; I didn't think there was much point in a solo Cyclops series that focused on the young Scott Summers. I could more see the point in one about adult Cyclops, even though he has Uncanny X-Men to romp around in. Against popular opinion I love Scott as a character and always have; I think he’s a flawed, real character that is one of only a few in comic books that shows semi-believable growth based on the pressures, responsibilities and experiences he’s faced.

So why, based on that logic, would I want to read a book about a character that has essentially reset the guy? Well, because Greg Rucka, that’s why. Because artist ----- that’s why. Because in this first issue they've developed the character of Scott Summers far more than he has been in many years; through his relationship with his father, his love for Jean and his reaction after having seen his future self be “not such a nice guy”. That’s why.

It didn't really have to be a cosmic book, but it is because his father is renowned Space Pirate Corsair, captain of the Starjammers (who, in my humble opinion are much more interesting than the flashy GotG anyway). While it’s true that all the book’s best features (indeed what makes me love the issue) – Cyclops’ very believable teenage turmoil; the doubts he has over his decisions, his emotions and his destiny – are, in no way, cosmic related at all, the addition of the Badoon bad guys and the Starjammers help to give this book a cosmic backbone. It’s the space (no pun intended) Scott needs away from the immense, confusing drama he’s left on Earth.

It’s also a fascinating ‘What If’ study of the character. What If Cyclops’ father figure was Corsair instead of Professor X? How different would the events of the last 10, 15, 20 years of X-Men history (and Cyclops’ life) have been if he’d been brought up without the pressure and responsibility of leading a team of mutants? By extension of that: seeing how different Cyclops as a man grows up without those pressures, ultimately how responsible is Professor Xavier in his own demise?

There’s no doubt the experiences young Scott has in space will influence the young boy he is and greatly change the man he becomes, and I believe that if this story is as influential as it could be (and I really hope it lives up to the potential of this first issue) then these experiences in space will not only affect the man he would become but the man he already is, i.e. adult Cyclops. How hard would it hit you if you saw a version of yourself who was raised in a different environment (arguably a better environment) and saw them grow up to be a better man than you have ever been? Would it make you realise how far you’ve fallen? Would it make you depressed, or worse? I’m clearly reading a lot into one issue, but these are all issues that Greg Rucka has raised within this book, and clearly issues that he is not only fully aware of but plans to address moving forward.

So why does this make me more invested in the Marvel Cosmic universe? Well, because it shows that no matter how far-fetched and ‘out-there’ the backdrop, you can still create deep, emotional character stories with resonance, and that’s crucial for a sub-genre that could all too easily slip into space-opera clichés. That’s why.

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The Week in Comics: April 30th 2014

Welcome to The Week in Comics!

This is my weekly column where I go through the new comics releases that I read every week, what I liked and what I didn't. Safe to say there'll be some spoilers but I'll try to keep them light.

So if you're looking for what to read or just some random guy's opinion on the comics he read this week (that's me. Hi there!) then join me as I separate the BEST from the REST in The Week in Comics!

P.s – if you're looking for my reviews of Black Science #6 and Amazing Spider-Man #1 they can be found on Rhymes with Geek, and as usual my Valiant reviews - Rai #1 and Shadow-Man: End Times #1 can be found on IndieAltRepeat! Enjoy!

The Best

All New X-Men #26

Marvel. Bendis, Immonen, von Grawbadger, Gracia.

The inevitable conversation between Old Scott and Young Jean happens and…it’s just as weird as you’d imagine. Luckily Scott manages to come out of it with his self respect intact so it’s all good. X-23 has had enough too – it seems like the clone of Wolverine has a thing for young Scott and – you know what? This is all getting weird again. Bendis does what he does best when it comes to big relationship-style conversations, and there’s a final page splash that I didn't expect, regardless of the solicits.

Avengers #28

Marvel. Hickman, Larroca, Martin.

Much like the incursions in the story, the worlds of Avengers and New Avengers are starting to collide, and it’s Bruce Banner who’s connecting the dots. It’s always fun to see Tony Stark squirm, and in this issue he has to face the decisions he’s made. I’ve heard very convincing arguments online regarding Tony and how ever since Civil War he’s only ever been a hair’s breadth from becoming a super villain. In the run up to Captain America’s Original Sin revelations (hint: Tony Stark had his mind wiped yo) I get the feeling big changes are coming for Tony’s status quo…. A fun issue this, plus the Adaptoid’s prove they’re bigger players in all of this than we first realised.

Batman: Eternal #4

DC. Snyder, Tynion IV, Layman, Fawkes, Seeley, Nguyen, Fridolfs.

You can really feel all the various plot threads start to form in this issue, and it makes Gotham feel more alive than ever. Always a fan of the GCPD focused stories; this issue continues its focus on the new commissioner’s twisted motives. Throw in Batgirl’s reaction to Jim Gordon’s ever worsening situation and Stephanie Brown’s subplot developing nicely and you’ve got yourself one happy reader. It’s not a masterpiece and sure to have its haters, but I’m enjoying where this book is taking me.

Silver Surfer #2

Marvel. Slott, Allred, Allred.

Every time I read this I expect to have something negative to say (“he’s ripping off Dr. Who!” etc), and every time (OK, there’s only been two but I’m also counting the point one mini story) I finish the book with a smile. Yes, it’s very much influenced by everyone’s favourite Timelord, but that’s a good thing in this case. If nothing else it brings a sense of fun and limitless whimsy not seen in a cosmic Marvel book since Stan and Jack’s FF. Greatly assisted by the Allred’s on art, Dan Slott has made me care about a Silver Surfer book.

Southern Bastards #1

Image. Aaron, Latour.

Man I love this book. Jason Aaron and Jason Latour make a formidable team, tackling something very close to both of them – the American south. What they've created in this first issue is a world thick with atmosphere on every page, and filled with rich, deep, un-likeable characters. Earl Tubb returns to a home he’s not seen in 40 years, and steps not only back in time but right into a whole mess of trouble. At one point you can see the conflict on his face: does he walk away and leave this hellhole behind for good, or does he do the right thing and turn back around? It actually pains him to do the right thing, and from that moment on I knew this was going to be something special.

The Rest

Avengers World #5

Marvel. Hickman, Spencer, Caselli, Mossa.

After the last few months focusing on Shang-Chi, Starbrand, and Smasher, it’s Manifold’s turn to take the spotlight. There are some cool concepts here – the Dreamtime, the incursions being responsible for both his and Captain Universe’s powers going on the fritz – but ultimately too much lofty AIM talk (more annoying now they're all smart) lost my attention. Bruce Banner still has a great voice in this book though; he’s way funnier than anywhere else he shows up in. You can tell Nick Spencer is channelling his inner Whedon with the core cast, but this book has been better.

Hulk #2

Marvel. Waid, Bagley, Hennessy, Keith.

Hulk is a deceivingly difficult character to get right. Being a Marvel fan for as long as I have you get used to this fact. Iron Man is the same to a certain extent. It’s a shame when amazing writers can't seem to grasp what it takes to make the character really shine, and unfortunately Mark Waid isn’t ‘wowwing’ me so far. The trouble is when writers focus on Bruce Banner instead of Hulk, I tend to lose interest. I’ll stick with it though for a couple more issues, because it is Mark Waid, and I always enjoy Bagley’s art.

New Avengers #17

Marvel. Hickman, Morales, Martin.

I’ve never been as big a fan of this book as I have been of the main Avengers title. It’s only held my interest because I know how Hickman works, and I know that eventually all of this will be crucial to the overarching storyline, but that’s not a great reason to be reading a book really. There’s some fun action with the Justice League that aren't quite the Justice League, and more lengthy conversations between T’Challa and Namor and – hey, anyone remember when Namor used to ride tidal waves into battle, and T’Challa stood side-by-side with Cap on the classic Avengers roster, fighting everything Roy Thomas could throw at them? Yeah these aren’t those days anymore.

Uncanny Avengers Annual #1

Marvel. Remender, Renaud.

Being self referential and admitting within the narrative that the story you are telling is completely pointless and derivative, doesn’t make it any less so Rick Remender. Self reference seems to be the only thing this issue does right, however. A premise that is too busy nodding and winking to be considered meta, wrapped around a weak plot and bland villain. I wanted to love this. I love both Rick Remender and the Uncanny Avengers book, but I didn't love this.

Star Wars: Rebel Heist #1

Dark Horse. Kindt, Castiello, Parsons.

I don’t often read Star Wars comics, but a Han Solo centric first issue, written by Matt Kindt? That’s got to be worth a look, and thankfully it paid off. It started to trail off in the back half but the setup (newbie to the rebel cause gets picked up by Solo) treats us to a random Joe-Public opinion of the rock star of the rebellion. Not really a viewpoint I’ve seen before, and seeing the rescue and escape from his perspective really highlighted just how mental life with Han Solo would truly be. Fun stuff.

So that’s it for another week! My personal highlights were definitely Southern Bastards, Rai and Black Science, although I have missed Peter Parker…

Until next time,

Matt

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The Reading List: Comic Book Reviews for March 5th 2014

Welcome to The Reading List!

Here are my personal highlights of the comic books released this week.

If you've read my blog before I do lean towards Marvel/Image/Indie, so don't be surprised if you don't see many DC reviews on here.

Also: this is an open discussion of my personal thoughts on each issue as I've read them, therefore need I say...

HERE BE SPOILERS!

You have been warned.

Let's get started!

MARVEL

 

Captain America #18

Remender, Klein, White

 

First off, while I understand having a banner advert for the new Captain America movie on the front of the new Captain America comic would make sense in theory, anyone coming in new to this series expecting a feel for what to expect at the cinema is more than likely to be left a little confused. Unless I've seriously misinterpreted the trailers.

Part two of the Iron Nail story sees more Mindbubbles! Hooray? Nah I'm being too harsh, this issue was actually more fun than last time and less 'out there'. Again, anything to do with Dr Mindbubble is going to be wacky no matter how you look at it but they explain his origin here which makes him easier to take now he's in context. Cap is still reeling from his time in Dimension Z, debating where he truly calls home. It's a great development for his character but I still feel the whole concept will get dropped by the next writer, whoever and whenever that'll be.

I'm still loving Jet Black: she doesn't get much page time but what she does get is brilliant, going all Neeson on the Cyborg-in-Charge of Weapon Minus (that's 'Taken' era Neeson, not 'Love Actually' Neeson), and Falcon proves a formidable force here too.

The art is bold, crisp and on just the right side of cartoony given the bombastic visuals and zany villain, and likewise the colours are nice and bright too. Overall a good read.

7.5/10

Daredevil: Road Warrior #2

Waid, Krause, Kalisz

I'm really glad these infinite comics come out weekly, because this issue - the second following Matt Murdock's action packed cross country trip - is over way too quickly.

There's a lot to love, even if it's nowhere near long enough. Matt gets no closer to uncovering the mystery, but with a very cool chase sequence that shows off the Infinite style nicely (including a stunt that in no way should have worked) and as always the writing (Cocky Daredevil beats Dark Knight-Lite Daredevil any day) and the art are what really keeps me coming back. Just more of what you love basically!

8/10

 

Loki Agent of Asgard #2

Ewing, Garbett, Woodard

 

I'm loving this.

I could genuinely leave the review there but it'd be doing it a mis-service. Loki's new start (he's all about starting over don't you know) feels like just that: new. It's got a really fresh, vibrant feeling of...newy...newness. Don't worry old Journey into Mystery fans, there's still plenty of nods to Asgard's rich Marvel history here, as well as references to more current developments (I mean seriously, I had no idea how complex Loki's personal backstory is. That opening 'previously on' page is pretty eye opening).

For those of you who saw this week's Agents of Shield episode or have read any of the information about next week's, you may be wondering just who Lorelei is and how she fits into Thor's world. Never fear - Loki: Agent of Asgard is here! Really, just pick up this issue and you'll have everything you'll need going forward. There's also a bank heist, speed dating shenanigans and a fascinating new (hopefully recurring) character in Verity Willis to keep you entertained while you're here, and is a perfect foil for our God of Mischief.

Those fans who transferred over from Young Avengers won't be disappointed either: there's obviously sexy Young Adult Loki here (who apparently gets mistaken for Harry Styles?), but there's also the familiar sense of humour running through the backbone of the book ("She Heisted my Heart" is my favourite moment) and along with some great artwork - this is shaping up to be among my favourite books on the stands.

9/10

 

Magneto #1

Bunn, Walta, Bellaire

 

This is definitely a bold new direction for everyone's favourite mutant villain, although villain may not be the correct word for Magneto. Just what he is at heart - his identity, his very nature - takes focus front and centre in this brand new number one of Erik Lehnsherr's first ongoing spotlight.

The status quo is very much rooted in current continuity; taking a break from Scott Summer's new mutant revolution to start up a new crusade of his own, with Shield seemingly on his tail; however Magneto #1 does a great job of breaking off on its own so much that you don't need to read anything before coming into this. Another fresh start it seems.

And yet his past, present and future all come into question as he attempts to uncover just who he really is and what makes him matter. This journey, tied into his core quest to rid the world of anti-mutant monsters (by any means necessary it would seem), is what drives both him and this book going forward.

There's always been a spirit of man versus machine about this character; of organic vs non organic, nature vs man-made; but writer Bunn takes that concept and adds a horrifying body-shock element to the 'Big Bad' of this issue, evolving a classic villain to oppose the titular star in a way rarely seen before.

The art is vaguely reminiscent of Steve Dillon, and as such adds a realism to the world. With a gritty, grey palette this isn't the Magneto you're familiar with, and while I'm not personally a fan of his new look (I never saw him as being so stocky) there's no doubt that the main point is that there's still a lot to learn before we label Magneto as anything - hero or villain. Very nice series opener.

8.5/10

 

Moon Knight #1

Ellis, Shalvey, Bellaire

As someone who is not wholly familiar with the character let me tell you: this is a great introduction to Moon Knight. I've read some of the previous attempts to revamp this dark and complex creation, but not even the killer combination of Bendis and Maleev could convince me to stick around. This issue however has me hooked - for as long as they want to keep making them I'll keep picking them up.

For those daunted by Marc Spector's somewhat complex back-story, Warren Ellis simply and concisely catches you up to speed with a title page that ends with "He went completely insane, and disappeared. This is what happened next." Brilliant, and like that we're up to speed! There's a slightly more detailed biography given by someone (is that Norah from Spidey's world?) seemingly writing up a blog about him and talking to someone unknown which may or may not be important. Either way after that scene we're definitely up to date, and this is where the artwork really sings, telling you as much about Moon Knight as any written word. His image stands out uncoloured from the background of each panel. He's almost left sketched, barely even inked, like he's not all there (I get it), occupying the negative space and completely dominating your focus. It's genius. Along with frankly stunning layouts (watch for when MK descends to the sewers) and it's clear the art is the real winner here.

Don't dismiss the writing just yet though. There's a dark, ethereal ending to the issue that stays with you, and a tone throughout the book that, like Moon Knight himself, really stands out from anything else out there right now. Give this a read.

9/10

 

Night of the Living Deadpool #4

Bunn, Rosanas

 

Well, that is one truly bizarre ending to the series. I can genuinely say I didn't see that coming! Bunn brings his zombie mini-saga to a close with this, the fourth issue, and I think overall it was a success. I've said before that it brings enough new ideas to stand on its own as a competent piece of zombie fiction and not just another Deadpool miniseries.

This wasn't the strongest of the issues, but with the burden of other living souls removed from his life there's more room for the Merc with a Mouth to crack some extremely dark jokes, which do come thicker and faster than previous instalments. There was an odd tendency (only odd for the character, not the situation) for 'Pool to come across as a bit morose, but here he seems fairly resigned to his fate and as such shrugs off the guilt of his actions in issue 3 and treks off with Clarence (not all of him though) in search of a cure.

There's a great quote from It's a Wonderful Life, or a typically Wade Wilsonesque paraphrasing of one anyway (did they only name his companion Clarence for that one moment?) and aforementioned bizarre ending showing that Bunn has still got more to give when it comes to this character, as well as some great visual gags within the hordes of the undead (look out for Shaun of the Dead references, among what I'm sure are many others) proving that Ramon Rosanas has been pretty perfect for this series. Not a fan of Carnage so I'll be giving the next mini a miss, but if that's your thing then Deadpool vs Carnage is coming up soon.

7/10

 

The Punisher #3

Edmonson, Gerads

 

There's a real sense that Frank is in too deep here. As his investigations into the Dos Soles cartel run into a rather...electrifying...problem (come on, it's Electro. I know, spoilers, but it's practically on the cover!) and his supporting cast start to lose faith in the system they serve in favour of Castle's more extreme form of justice, you can't help but get caught up in the world and feel that the situation is not only in dire need of The Punisher, but very nearly past his help. Which begs the question: why the hell are all the superheroes all bunched up together in New York when there are cities like this begging for them??

Nathan Edmonson hopes to even that scale of course, although he's not making it easy for our titular star. It's not like he can web up his hands is it? The writing is spot on as usual, Castle's inner monologue runs through the book lets us into his head, and the colours are fantastic - it feels like each and every page is a different spectrum that you never thought you'd see in a Punisher title. Likewise you never thought you'd see Punisher in a hooded sweatshirt but that's in here too. So yeah. Lots to see and do folks!

8.5/10

 

She-Hulk #2

Soule, Pulido, Vicente

 

This is just a gorgeous book. I mean, look at those layouts! The colours! The frankly terrifying 2-page spread of Jennifer Walter's steely gaze!

Yep, It's She-Hulk #2 and following on from last issue's collapse of her previous life we see our heroine build a brand new one...except, it doesn't really get the amazing kick start she expects (when does it ever) so she does what anyone else would do and heads to a bar to drown her sorrows with a friend - in this case, Patsy Walker AKA Hellcat. For a character that has, I think, literally been around for longer than Marvel comics themselves, Patsy sure does bring fresh energy into an already energetic book, and is the definite highlight of this issue.

I've read my fair share of comics involving Hellcat, but I've never truly understood why she has that name until now. We all have that friend. That one friend that no matter how much you love them, you know that they're not entirely stable and have a tendency to surround themselves with trouble. Still - that combination usually makes for an entertaining night out, which is exactly what Shulky gets with her bestie.

There's more big robots, ambitious AIM goons, a 'non negotiable' office monkey, a completely gorgeous guided tour and absolutely no reason for you to not be picking this book up.

9/10

 

Uncanny X-Men #18

Bendis, Rudy, Staples

 

There are a lot of conversations that have been a long time coming in this issue, between many characters, all happening when Kitty and the All-New X-Men made the move from one school to another, explaining that it wasn't as smooth a transition as was laid out in previous issues. And why would it be? The baggage and grudges that each of these characters carry is enough to weigh down a Sentinel, but they go some way to airing their grievances throughout these pages.

Make no mistake though - this is a Scott Summers-centric issue. After all, his erratic powers permeate throughout the artwork, providing the border for almost every panel. He's got many deeds to answer for and a lot of pissed off X-Men to answer to, but I get the feeling this is just another step toward redemption for him (we've already seen him make some form of peace with Logan in a recent issue of Wolverine and the X-Men) and maybe an end to the Schism? Maybe?

As per usual, Bendis works his magic with the individual interactions, and though the Kitty/Scott and Jean/Scott moments are heavy, there are definitely some lighter moments - Emma's frankly ridiculous reaction to Kitty's presence (she is really cracking up) and older Scotts advice to his younger counterpart ("Stay away from Redheads") help break the tension.

While a great idea and visually striking, the execution of the art often made it hard to follow the plot, especially the action sequences. The facial rendering was very odd in places too, so all in all an uneven issue art wise.

One final point, regarding continuity. This issue cleverly deals with and gets around the current Trial of Jean Grey crossover happening elsewhere by placing the majority of the issue a few weeks ago. However. Cyclops mentions Kitty being lost in space (back in Joss Whedon's seminal run) was last year. Last year? I know, I know, I shouldn't let continuity get to me and the sliding time-scale is inevitable in order to squeeze over 50 years of comics into about 10 years their time, but are we meant to believe that everything from Fury's Secret War to today took place within 12 months? Eurgh, I know. I'll drop it.

7/10

 

Wolverine and the X-Men #1

Latour, Asrar, Silva

 

After a long wait we finally get back into the world of the Jean Grey school and- wait. It's only been a week?! Boy Marvel, you're really cranking them out!

For an issue as focused on the future (in particular the future of Quentin Quire) there are a lot of references to storylines past. Remender's Uncanny X-Force, Battle of the Atom, Uncanny Avengers, not to mention the previous volume of this very series. It's all par for the course for X-Men fans of course, but new readers enticed by the big number 1 on the front may be discouraged from picking up number 2 as most of the nuances of the characters would likely go over their head.

Nevertheless, as a continuation of the soap opera of their lives this is a great read. While missing the spark of comedy of Aaron's work Latour picks up the baton well and sets up a lot of personal drama as well as bigger plots that have me intrigued. The art is not as cartoony as someone like Bradshaw or Bachalo from volume 1's better arcs, but it's a fitting look for the series and the colours stand out from the page. A great start.

8/10

 

ARCHIE

 

Afterlife with Archie #4

Aquire-Sacasa, Francavilla, Morelli.

 

Good grief, this is intense. I can't imagine what it's like for true fans of the Archie universe, so invested in these characters they've probably loved since childhood, but even coming in blind like I am I can feel the pain coming off the page. This is the first time I've ever read anything involving Archie and the gang (I guess the Apple pie Americana never really translated as well across the pond) but after seeing the reviews for issue 1 and loving zombie books like I do I just had to pick it up. I imagine there are character beats that go over my head but for the most part you only need a basic understanding of the world to get stuck in.

Let me tell you: this is one of the finest zombie series I've ever read. Francavilla's art is atmospheric and visceral, and Aguire-Sacasa's plot is unflinching, unforgiving and frenetic.

As for this particular issue, well let me just say, you can put people in danger all you want, kill off any number of my favourite characters and I'll barely flinch. When it involves dogs however? That's it. I'm done. This issue? All the feels...

9/10

 

IMAGE

Velvet #4

Brubaker, Epting.

 

It's a cheap shorthand to refer to Bond when reviewing this book, but for the uninitiated this is what it is: what if Moneypenny was secretly as badass as the man himself, and more, what if she was framed for his murder?

This is what faces Velvet, the protagonist of Brubaker's latest crime series. If you've read any of his previous work on Image or even his Captain America run you'll know his style is deep, intricate espionage thrillers and this is a perfect example of a team at their best.

There's not much to say about the specific plot of this issue that would make sense to anyone not reading, but as she follows the trail of breadcrumbs to find X-14's true killer by tracking his last known actions, Velvet is drawn to the Carnival of Fools and an ex-KGB rogue.

Steve Epting is a personal favourite of mine and no stranger to fans of Brubaker, and it's safe to say he's having a great time on this series. His expressions are easy to read, his backgrounds crisp and real, and the layouts during the action scenes are brutal like Bourne - up close and dirty. As the lady says herself "It's desperate. Ugly". Definitely a highlight of the week.

9/10

 

VALIANT

Quantum and Woody: Goat #0

Asmus, Fowler, Passalaqua

 

You seriously won't find a funnier book on the market right now. Answering 'public demand' Valiant have knocked it up a notch with this issue focusing on standout sidekick of the decade (move aside, Damian Wayne)...GOAT!

Really, only Quantum and Woody could get away with a book like this. Simultaneously mocking Valiant's 'Zero Issue' format they've carried out relatively successfully across their whole line, while also elevating said format to new heights, this issue is standalone proof that if you want genuine comic book originality and humour, QaW has got your back. With some hilarious concepts like Thunder Moist energy drinks ("Shoot the Moist!!!") and 'Like a Xerox that poops: Cloning and the Animal Kingdom', and a final page twist that is as unexpected as it is genius, you should be reading this book. Seriously, you don't need to play catch up; this achieves what other issue zeroes have lacked and gives you a brilliant introduction to the title. I 'kid' you not (sorry), 'ewe' (again) won't be disappointed.

8.5/10

 

And that's it for this week!

 

Until next time,

Matt

 

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The Reading List: Comic Book Reviews Feb 26 2014

Welcome to The Reading List!
Every week I'll be sharing what I think are the highlights of the latest releases, including a few thoughts on what I liked, what I didn't, and what I think you should be reading too. 
If I've not mentioned something you think I should read, or want to let me know your thoughts on any of the new issues then drop me a message.
If you've read my blog before I do lean towards Marvel/Image/Indie over DC, although I'm working on getting caught up on the New 52 in order to provide a more thorough weekly recap (weekap? No), so don't be surprised if you don't see many DC reviews on here.

Also: this is an open discussion of my personal thoughts on each issue as I've read them, therefore need I say...
HERE BE SPOILERS.
You have been warned.
Let's get started! 

Superior Spider-Man #28


Slott, Camuncoli, Dell, Fabela.
This may end up being somewhat of a spoiler, I don't have a crystal ball though so it's purely speculation at this stage but...is the Goblin King actually the Goblin Queen? There were a fair few indications, such as choice of phrasing, facial characteristics...it may be a red herring but I kind of get the feeling there's a woman under that mask. The only criticism I have is that this comic can't come out fast enough. It's hurtling toward its conclusion now, all the pieces are coming together to tear Otto Parker apart. Now all I need to figure out is who exactly is this head Goblin Honcho...
8/10

Wolverine and the X-Men #42


Jason Aaron 'and Friends'
So this is the end, and what a way to go. Proving why it's called Wolverine and the X-Men, this issue focuses on the present and the future of our short furry Canadian friend, and in just a few touching scenes we see that Logan really is growing, that those people laughing at him taking over as headmaster of a school (including a lot of fans) aren't laughing anymore. Jason Aaron has taken him and all the students on a real journey that I hope isn't lost with the change of creative team. Another character that's changed is Quentin Quire who shares focus in this final issue, proving even more irrefutably that this was the little x-book that could, one that mattered and one that (no matter how good the new volume is) will definitely be missed. Pretty much every artist shows up to say their goodbyes too, and while the shifts aren't always seamless, there's no denying this book has seen some gorgeous art. Roll on the new term!
8.5/10

Uncanny Avengers #17


Remender, McNiven, Leisten, Martin.
Ok, wait. What just happened?! The dial gets cranked up to the max in this, the first of 3 Remender titles this week. I say up to the max but what I mean is, the dial gets cranked up so high it gets wrenched off, mutilated and set on fire.The events of this issue go so far that the only way for this to not be the last ever issue of any Marvel comic ever is for some crazy Age of Ultron style shenanigans. Which is fine - it's a shame that this has turned into that kind of story but you know what? It's doing it so much better than AoU ever did. It feels more final, more end-of-the-worldy and like all of the deaths matter. I've loved this book since issue 1 and even though this storyline may cause a few people to write off the whole book, I still absolutely love what Remender's doing here, I'm fascinated as to where it's going next and Steve McNiven on art is always going to make me happy. And to those who may not like where this story will now have to go I ask; what did you expect with Kang the Conqueror in the mix?! 
9/10

Hawkeye #15


Fraction, Aja, Hollingsworth, Eliopoulos.
Do you really want to read about another person telling you to go buy this comic? If you're not reading this title by now then nothing I say will change anything. The art, the layouts, the humour, the voices - all perfect. Those four aspects mean I don't even need the story to be that good, but dammit if it doesn't have that too. This issue returns our focus back to the east coast and back to Hawkguy (as I will never not call him), and I genuinely wasn't expecting the last page one-two punch to give me even more of a reason to come back for more. Ignoring the weird scheduling blip (we've already read the next issue, it's issue 17 that's next), there's a reason every other All-New Marvel title is taking on elements of Hawkeye. Ever the original, still the best.
9/10 

Guardians of the Galaxy #12


Bendis, Pichelli, Immonen, von Grawbadger, Ponsor.
Some people laugh when I say Cyclops is one of my favourite X-Men, but I don't care. He's always been one of the most fleshed out and nuanced of the characters, and for those fans of Scott Summers like me this issue is a treat. Starting with a flashback to a crucial part of his backstory, we get a glimpse of the last time he saw his dad, then cut to the present day where past Cyclops meets his father for the first time, again. Time Travel! 
The Trial of Jean Grey is moving forward at a swift pace, this already being part 4, and I was definitely getting a Star Trek VI vibe as the Shiar courtroom drama gets underway (that's a good thing. It's one of the good Star Trek films). The highlights are again the small character moments that Bendis is so good at - Scott and Corsair, Scott and X-23, Kitty and Star-Lord; all beat-perfect interactions. The art by Pichelli and Immonen is among the best on the stands too, not many people can have a two page splash of the Guardians of the Galaxy, the Starjammers and the All-New X-Men all in a room sat around talking and make it look effortlessly beautiful. Not exactly one for fans of the GotG as they don't make much of a mark on the story but the crossover as a whole is going great, and this chapter is no exception.
8.5/10

Wolverine #2


Cornell, Stegman, Morales, Curiel.
So I decided to come back for issue two, which I'm pleased about, but I was definitely not sure I would following that first issue. Turns out it was just the right amount of absolute WTF-ery to make me come back for more though. While Wolverine #2 isn't as totally confusing as #1 there's still a lot of unanswered questions that I'm asking, most important of which is - do I care enough to keep reading? I'll give it one more go, because I definitely enjoyed this issue more. I liked the numerous ties to other series (Otto Parker fighting off Goblin Henchman, Kitty and Cyclops in the new Xavier school, even Logan referencing the latest Avengers issues by revealing to Spidey that he's been 'benched') all helps to make this book feel current and somehow relevant, and yet for the life of me I can't shake the feeling that it's...not. Maybe I'm just not a fan of Wolverine's new Killable status quo, or more that I'm not sure I'm enjoying what's being done with it. As I say, I'll give it one more go.
6/10

Daredevil - Road Warrier #1


Waid, Krause, Kalisz.
Well I really wasn't expecting this. I'm not sure how or why this evaded my notice but I had no idea this was being released. Still, it's a very pleasant and welcome surprise. Bridging the gap between volume one and volume two of Mark Waid's now legendary Daredevil run, this story covers what happens on Matt's cross country flight, because you know, nothing normal can go without a hitch when you're a super hero! I'm a fan of the infinite comics and what they represent moving the medium forward, and there's a few times Matt's 'radar sense' gets to play with the format nicely. To me though the best part is just having more Daredevil! Not that Marvel's new turnarounds from 'Finale!' to 'All-New!' really gives anyone chance to suffer from withdrawal mind you...
8.5/10

Black Science #4


Remender, Scalera, White
I doubt there's anything more original than Black Science out there right now. I don't know for certain (I don't read all of the comics) but it's constantly throwing new things at the team of Anarchist Scientists, which is good because anything less than complete originality would detract from the premise of taking a group of people and having them fly blindly into the unknown. Another brilliant issue this, as Mckay and the team finally make it away from the sheer madness of the armoured Native Americans (mostly) and into what appears to be relative safety. For now. I love the genuine sense that these characters are only just escaping, by a hair's breadth they are just abut scraping through; add that to the fact that you really can't tell who will be alive by the end of the next issue and you get a really tense, unpredictable rollercoaster. Plus those covers. Man they are extremely pretty covers. 
9/10

Deadly Class #2


Remender, Craig, Loughridge
After reading and enjoying the last issue (and loving Rick Remender's other work - see above) I decided to pick up issue 2 and see where Deadly Class is heading. The first few pages were so far so meh, with Marcus getting the new boy treatment from everyone he meets. I was starting to wonder where the 80's influence was that permeated through the last issue and around which all the promotional material was based. And then Marcus met up with the Breakfast Club, or at least Remender's twisted version of it. With a literal "Fuck John Hughes" (and I mean literal, it's the first thing you hear the group say) suddenly the 80's are alive and well and looking to kill someone. From Marcus' personal vendetta against Ronald Reagan to the run down of the school's cliques from pudgy sidekick Shabnam the spirit of the period pratically drips from the page. Hell, there's even a playlist for each of the main characters in the back of the book! I love it when comics do that, it really adds something when you re-read the issue. There's an epilogue of sorts to the issue too that sets up things to come, as well as revealng more disturbng secrets about the main protagonist...
8/10

Empire of the Dead #2


Romero, Maleev.
If the last page or two of the first issue kind of threw you for a loop, then you may want to give this series a miss. This is getting further and further away from the original source material, and I can't really say I'm on board. I know that some hardcore fans of Romero are seeing the inclusion of vampires in his mythology a serious misstep and I'm not sure I disagree. I was really enjoying issue 1 - even including the sketchy retcon of the original movie, it's not a film I'm particularly precious about - but then the final page reveal that one of the characters is a vampire, and then this issue expanding on that to say there are hundreds? It's going to be a hard sell to get people on board, even with Maleev's gorgeous art. It may have Romero's name on the front, but I can't really see how this can be seen as a zombie story when they have no choice but to follow this Vampire plotline for as far as it'll take them.
6/10

X-O Manowar #22


Venditti, Nord, Cifuentes.
So following the clash between the unstoppable force that is Toyo Harada and the immovable object that is X-O Manowar over in Unity, there comes another change in circumstance for Aric of Dacia. While not nearly as enjoyable as Harbinger Wars, the Unity crossover was a lot of fun, and it'll be interesting seeing how long this new status quo lasts for time-displaced Visigoths. Valiant can seriously do no wrong in my eyes, and I'm enjoying every single title they bring out. I love the energy, I love the unpredictable narratives and I love the shared world that is slowly being built up. The artwork on this issue isn't the best I've seen on this title, but is still competent enough to carry the momentum of the action scenes as well as portray the quieter moments well. More of a transitional issue I feel, but still a solid read.
8/10

And that's it for another week! A strong week at Marvel and a lot of indies to get through (too many for me to squeeze into this article!) but a pretty solid week all round. Hooray for everything!
Until next time,
Matt

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